Grant funding for music therapy

Old school hip hop songs

Nea grants

Whether they’re pushing the contemporary boundaries of songcraft in Songwriting for Producers or laying out crushing bangers in our brand new The Art of Hip-Hop Production courses, or carving their own path in a custom Headliners Club session, each one of these students created something to be proud of. We hope you enjoy some new music from these incredible Soundfly artists.

“The chacona was a sexily swirling dance that appeared in South America at the end of the sixteenth century and quickly spread to Europe, becoming popular both in the elite courts and in the general population.”

Elise Dewsberry’s “Singing Sixty Birthday Recording” campaign lacks a pitch video, but the project is as heart-warming as they come. She does a pretty good job of selling it, too.

Who is the king of rap of all time

Lyrics and vocal melodies are perhaps the most crucial aspect of working in genres such as folk, rock, pop, and R&B. Lyrics provide a clear, unambiguous musical focal point in the song, and give the listener something to follow. In other genres like EDM and jazz, vocals aren’t a necessity, but frequently show up in one form or another. Regardless, lyrics give songs an extra level on which to be identified.

Explore how common music theory is used in pop songs like “Superstition,” “Get Ur Freak On,” “Teenage Dream,” and many more and how you can use the same basic theoretical concepts to add color and complexity to your songs with our free Theory for Producers series.

Going on tour soon but don’t know how to get the word out? Here’s a list of amazing strategies to put your band on the map and make your travels count!

Youssra ِِEl Hawary is an Egyptian accordionist, composer, songwriter, singer, and actress. Her Indiegogo campaign raises funds to record her band’s debut album. The star of her campaign page is her video. It showcases personal endorsements from a number of artists and personalities in her circle. Each testimony is honest, uplifting, and respectfully urgent.

Solution: Create criteria. One of the biggest mistakes ambitious musicians make is overbooking just for the sake of playing out. I constantly hear colleagues complaining about gigs their bandleaders probably shouldn’t have taken in the first place. A band member once made me promise I would only take gigs if I could answer “yes” to at least two of these questions: (1) Is it lucrative enough to ensure that no band member is losing money (including the pay they would sacrifice if they had to turn down another show because of this one)? (2) Will it give us real exposure or positively build the band’s identity? (3) Could it be the most fun we’ve had all year?

Chorus america

I had already made an instrumental track last month, so I wanted to do something a little different this time around. With Kim’s vocals used as a garnish, I was starting to hear this as a vocally-driven track. I carved out sixteen bars that a rapper could flow over and sent it out to a few friends to see if they might be interested. But after a week of back and forth, the schedules weren’t lining up to get this track done in time. So, as is so often the case in making music, I had to adapt.

It’s often the case that in concert and in these symphonic works designed to highlight the theremin, we’re really able to hear its full range and expressive potential. So we’ve picked out five pieces from modern 20th century composers (some of which were written to accompany film) that have helped define the use of this instrument in a variety of capacities.

Does it give you a spark of creativity when you fire it up? Your gear should make you feel good when you plug into it. It’s possibly the most important factor when it comes to your equipment. If it doesn’t contribute positively — or worse, makes you uninspired — you don’t have to let it weigh you down.

Flypaper ran over 320 articles this year. Let the Soundfly staff navigate you through the best of the best in this list of our Top 5 articles from 2018.

By virtue of the ways we are changing as a society, the classroom must take into account changes in epistemology, changing values and communication, and changes in how we learn and interact with the world. That starts with the teacher. We can and should meet this challenge with the same sense of “play” that we want to instil in our students. Things like educator discounts for Ableton Live and other software can help teachers to also become students, ensuring they can constantly reexamine the role of technology in the music classroom.